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"She is a pretty example of the French form," said Captain Acton. "I think I told you she was built at Bordeaux, from which port some elegant structures are sent afloat. But the French cannot approach the Americans as shipbuilders. Take that schooner of mine, the Aurora—by the way, she is due here shortly. I wish she may not have been taken by the enemy." By the time that Lucy was seated at the cabin table of the Aurora at the meal which had been prepared for her, with her father on one side and Sir William Lawrence on the other watching her with riveted eyes, listening to her with impassioned attention, putting such questions as must naturally arise from this most extraordinary adventure, the brig Louisa Ann was about three miles astern rolling and flapping onwards for Whitby, her larder enriched by two casks of beef and a cask of fresh water, whilst in her master's pocket was Captain Acton's address; for it had been agreed that in consideration of the brig's skipper having taken Miss Lucy Acton aboard his ship, he was to receive the fifty guineas reward which had been offered for her recovery, and which Captain Acton would forward when on his return he should know where to address the skipper. The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven..

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"Say, fellers, let me stay with you an' we'll split three ways, eh?" suggested Anson. Mr Short occupied the head of the table, and the oldest frequenter who happened to be present the foot. Mr Short took his seat when Mr Lawrence sat down, and all the people who had come to eat were then assembled. In a picture they would figure as a homely old English lot: men in bottle-green coats, in red coats, in purple waistcoats, in plain pilot cloth, here and there a dandy built up in the latest style, here and there an old fogey who stuck to the fashion of the last[Pg 126] century and figured in a little tye wig, a frill very fit for the harbouring of snuff, a cut-away coat with immense pockets, such as Boswell might have been found drunk in, in Edinburgh, and shoes with buckles. He was a figure striking in its way as he made these bows, with his long, snow-white hair, his heavy white eyebrows, his long curling nose, the purely congenital satiric leer that characterised the formation of his thin lips; and his faded dress, which was a very good representation of his mind, aided the impression produced by his face. "It's the chaff and small wheat the fannin' mill blows out from the good grain. Pa lets me have it fer my wild birds. I've got some partridge up on the hickory knoll, too. They're shyer than the quail, but I've got 'em so tame I kin call 'em and make 'em come to me.".